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東京都市の闇を幻視する 2<br />TOKYO: VISION OF ITS OTHER SIDE 2<br />Masatoshi Naito<br />(内藤正敏) hunt 6 x h28 cm32 Pages(includes

東京都市の闇を幻視する 2
TOKYO: VISION OF ITS OTHER SIDE 2
Masatoshi Naito
(内藤正敏) hunt 6 x h28 cm32 Pages(includes

Name: 東京 都市の闇を幻視する 2 TOKYO: VISION OF ITS OTHER SIDE 2 Masatoshi Naito (内藤正敏) hunt 6 x h28 cm32 Pages(includes
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東京都市の闇を幻視する 2
TOKYO: VISION OF ITS OTHER SIDE 2
Masatoshi Naito
(内藤正敏) hunt 6 x h28 cm32 Pages(includes"It was from 1970 to 1985 when I intensively photographed Tokyo. Japan was radically changing as rapid economical growth was underway. Old houses and buildings were being destroyed and replaced by new ones including modern skyscrapers. Even today, Tokyo is still expanding. I thought it would be quite interesting if I shot Tokyo using the technique of time lapse photography. I fixed a full automatic camera on the top of the Tokyo Tower, turning it to

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6 x h28 cm32 Pages(includes sindle gatefold)23 Images(b/w)Softcover (hand-sewn)Doubletone OffsetLimited edition of 750(choice between 3 different front cover

and "Made in the USA" is a selection of 5 essays from the work that I did between the years 2013 to 2020

By the River of Kings

and vegetation

東京都市の闇を幻視する 2<br />TOKYO: VISION OF ITS OTHER SIDE 2<br />Masatoshi Naito<br />(内藤正敏) hunt 6 x h28 cm32 Pages(includes"It was from 1970 to 1985 when I intensively photographed Tokyo. Japan was radically changing as rapid economical growth was underway. Old houses and buildings were being destroyed and replaced by new ones including modern skyscrapers. Even today, Tokyo is still expanding. I thought it would be quite interesting if I shot Tokyo using the technique of time lapse photography. I fixed a full automatic camera on the top of the Tokyo Tower, turning it to

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